The Albion Beatnik Bookstore website (or how a bookshop once changed a light bulb)

The web page of the Albion Beatnik Bookstore in Oxford, now closed (as usual) for business: muses and misspills on books, jazz, poetry, stuff like false flags and smoke screen: was randomly decrepit and proven to be more than neo-bankrupt: it was so analogue it was anal and now deceased.

Stig of the Dump, Ardizzone, Go-karts & Girlies

So I met someone last night who is known as Stig (he’s got an otherwise posh name). He’s nicknamed after Clive King’s hero, Stig of the Dump, the now classic … Continue reading

2nd January 2017 · Leave a comment

Malcolm Saville’s Yard Broom

Malcolm Saville was born in Hastings in 1901 and educated there. His first job was as a clerk with the Oxford University Press, and the rest of his working life … Continue reading

10th October 2016 · Leave a comment

Recommended Historical Novels for Children

Historical fiction is a fabulous genre. It allows us all to empathise with someone from a different time with whom we would otherwise have no connection. It can illustrate historical points … Continue reading

3rd January 2016 · Leave a comment

Great Children’s Novels with Great Sequels

Books with sequels are ideal recommendations for children: if they are enjoyed, the quieter they are for longer. Here is a random selection:- The Borrowers by Mary Norton Mary Norton (1903-1992) … Continue reading

3rd January 2016 · 2 Comments

Is There Anything to Read after Harry Potter?

It was often alleged that the craze for Harry Potter books throughout the 1990s fuelled an awakening in the art of reading. I was doubtful at the time, even more … Continue reading

2nd January 2016 · Leave a comment

News of Albion Beatnik Press

Two new series of titles – American Vintage and British Vintage – 24 titles to be published in 2019
https://www.albionbeatnik.co.uk/2018/07/18/elizabeth-von-arnims-the-enchanted-april/

Sarah Gillespie’s Queen Ithaca Blues

“Dipped in song, these are dizzying poems in which lovers are skyscrapers and words walk on wires between them.Bright with horror and stricken with laughter, Sarah Gillespie’s lyrical collection lives in the extremities, dealing with loss, vertigo and joy.” – Caroline Bird